Graffiti smells like confidence once you learn the basics. This 2-hour Bogotá workshop teaches you spray-can control from zero, then helps you create a throwup 3D tag you can actually point to. I love the way it pairs technique with creativity, and I also like that it starts at OCIO Gallery, where you can see Colombian street art and take in the vibe before paint hits the wall. One thing to consider: supplies can run tight if a few cans are near-empty, and group energy can vary depending on who else joins (including families).

Here’s the honest value: for $58 you get the tools, wall space, and a guided path that takes you from simple exercises to a finished design, not just a free-for-all. It’s small too, with a max of 10 people, so you’re more likely to get hands-on coaching instead of standing around. If you’re expecting a quiet, adult-only studio class, plan for some unpredictability—this is street art culture, not a sterile art room.

Key highlights you’ll feel in 2 hours

• Beginner-friendly aerosol training with practical exercises before you touch the wall
• Invent a graffiti name and learn how to turn it into a throwup 3D style tag
• OCIO Gallery first, murals and prints included, so it’s more than just spray-painting
• Small group format (maximum 10), which helps the instructor guide you closely
• Real courtyard walls with experiments and past tags, so your piece joins an ongoing wall story

OCIO Gallery: your starting line in Bogotá’s mural world

Your workshop kicks off at Ocio Gallery (Cra. 5 #26b – 26). If you like your experiences to start with context, you’ll appreciate this stop. Before paint starts flying, you’re in a cultural house that’s tied to Bogotá’s art scene. The space itself matters because it’s not just a random classroom rental. The gallery has prints by Colombian artists, and it also sells printed clothing, which is a nice souvenir option if you want something that’s not just paint-stained.

One practical win: this meeting point is near public transportation, so you’re not stuck hunting for a ride. And since the workshop ends back at the same place, your logistics stay simple.

After a quick look around, you move to a courtyard area behind the building. This is where the workshop energy shifts. The walls are already covered with experiments, tags, and remnants of past practice. That matters because you’re not creating in a blank, pressure-cooker space. You’re adding your work to an existing art wall that’s clearly part of the neighborhood’s ongoing street-art conversation.

Warm-up stretch, can-shaking, and the first real lesson

This is built for beginners. Even if you’ve never held a spray can, you’ll get taught how to use it. The instructor explains the main objective upfront: invent a graffiti name and paint it in a throwup 3D style.

Expect a guided flow. You’ll see the materials and quantities, and you’ll be asked for consent to take pictures. That small detail is worth noticing. It keeps the experience respectful, and it also helps the workshop feel organized instead of chaotic.

Then comes the warm-up. There’s a stretch for your body and hands, which sounds simple, but it’s smart. Spray painting isn’t heavy lifting, yet it does use fine motor control for wrist, elbow, and finger pressure on the nozzle. A quick warm-up can make you steadier once you start.

Before any art hits the wall, cans are shown and shaken well. You also get an instructor demonstration that’s part technique and part showmanship—mimicking a giant signature with a can in the air. It’s a fun way to teach motion patterns without starting by wasting paint on the wall.

From dots and lines to a tag you can finish

The workshop doesn’t throw you straight into 3D. You start with small exercises that build muscle memory and control. In the session taught by Cali, known professionally as TET, the sequence begins with basics like creating dots, lines, and spirals. You’re not just doodling. You’re practicing how consistent your spray output is—how long you hold, how you curve, and how you keep edges clean.

You also learn how to plan before you spray. A key part of the process is sketching your project on thick paper before choosing colors and moving to the wall. This step helps you avoid a common beginner problem: overspraying because you feel rushed. When you’ve already thought about your letter shape, color blocking becomes easier.

As you practice, the instructor coaches you while you work. The goal is not perfection. The goal is a tag that reads well and has enough 3D effect to look like a proper throwup style, not just messy lettering.

And yes, you’ll get ideas for how to shape the design so it really pops. That’s the difference between spraying a name and making it look intentional.

Designing your graffiti name in throwup 3D style

Here’s where the creativity kicks in. You’ll invent a graffiti name—basically your alias for the wall. Then you’ll paint it as a throwup with a 3D look.

Throwup 3D style is all about structure: outlines, depth, and color contrast so letters feel like they’re stepping forward. The workshop’s structure is designed to get you there fast. After you plan on paper, you pick colors and bring your letters to the courtyard wall.

One thing to keep in mind from real experience: supplies can be uneven. In at least one case, some cans were empty or close to empty, which limited color options. That’s the kind of detail that can affect how many colors your final piece has and how much experimenting you can do.

What I’d do in your mindset: treat the “color choices” as flexible. If you end up with fewer colors than expected, you can still make a strong throwup by focusing on the letter outline, the depth effect, and consistent spacing.

If your expectation is a highly detailed, multi-color mural, this might feel short. But if your expectation is a guided starter throwup that you can be proud of, this format is pretty well matched to reality.

Wall time in a courtyard built for experiments

Once you start spraying for real, you’re in the courtyard behind OCIO Gallery. The wall space is included, and that matters because spray workshops often become one of two things: a demonstration you watch, or a rushed attempt at something with limited space. Here, you get wall space and enough structure to build toward a finished piece.

Also, the space has history. Since the walls already contain experiments and tags, your work doesn’t feel like it’s happening in a sterile studio. It feels like you’re part of a living wall. That emotional shift matters more than people think. It turns your anxiety into participation.

The group is also capped at 10 travelers. That small size helps with coaching and keeps the workshop moving. You’re less likely to get lost in the background, which is a common issue in group craft activities.

If you plan to take photos, remember you’ll be asked for consent. It’s a good reminder to be respectful and quick. Street art etiquette is part of the culture.

Price and time: how $58 stacks up for what you get

At $58 per person for about 2 hours, this isn’t a cheap souvenir stop. But it also isn’t priced like a long, multi-day art residency. What makes it feel like good value is that it includes the practical stuff that usually costs extra: spray cans, graphic markers, nozzles, thick paper, and wall space.

You’re paying for:

• instruction that’s tailored to beginners
• materials that support real practice (not just a sketching activity)
• a place where your art can be completed on an actual wall

What’s not included is also clear: transportation, food, and tips. So budget for getting there and grabbing a meal before or after.

One more value tip: this workshop tends to get booked in advance (on average, about 34 days). If you’re traveling around popular dates, try not to wait until the last minute.

Who should book this workshop in Bogotá?

You’ll likely love this if you:

• are a beginner or have only played around with spray paint
• want a guided route from exercises to a finished throwup
• like street art culture but also want structure and coaching
• want a hands-on activity that’s only about 2 hours

It can also work for families, since at least one session included kids and a guide described as interactive with children. Still, there’s a real-world consideration: group composition can change the vibe. In one experience, adult participants felt the workshop energy shifted when families joined and some attention was split. No one did anything “wrong,” but it shows that the room can feel less like a quiet art class and more like a shared community moment.

If you want a strict, adult-only atelier atmosphere, it might be better to look for a dedicated adult session. If you’re open to street art energy—some hustle, some noise, some unpredictability—this is a great hands-on fit.

Practical tips so you leave with a tag you like

A few things that will make the experience smoother, even though the workshop handles the core teaching:

• Wear clothes you’re okay with getting a little paint on. Spray work is messy by nature, even when it’s controlled.
• Bring the mindset of practice, not perfection. Your first throwup won’t be your last, and the instructor’s coaching is there to get you to a solid finish.
• If you’re nervous about drawing letterforms, focus on the planned sketch step. That paper phase is your safety net.
• Be ready to adapt if your color options end up limited. The best-looking tags often use contrast and outline clarity, not only lots of shades.
• Ask quick questions during exercises. Dots and lines are where you learn what “good control” feels like, and that pays off once you move to the wall.

Should you book Fun Graffiti Workshop in Bogotá?

If you want a beginner-friendly, hands-on way to understand aerosol technique and graffiti style in Bogotá, I’d say book it. You’re not just buying access to spray paint—you’re getting taught how to use it, plus a visit to OCIO Gallery that makes the whole thing feel grounded in the local art scene.

The main reasons to pause are simple: if you expect a calm, adult-only studio vibe, group energy can vary, and if supplies end up running low, your design might use fewer colors than you pictured. Still, even with those considerations, the experience is built for you to finish something real in about two hours.

FAQ

Where is the meeting point for the graffiti workshop?

You meet at Ocio Gallery, Cra. 5 #26b – 26, Bogotá, Colombia.

How long does the workshop last?

It lasts about 2 hours.

Do I need any prior experience with spray paint?

No. The workshop is designed for beginners and for people who want to learn even without prior experience.

What materials are included?

Spray cans, graphic markers, nozzles, thick paper, and wall space are included.

What is not included?

Transportation, food, and tips are not included.

How big is the group?

The workshop has a maximum of 10 travelers.

When will I get confirmation after booking?

You receive confirmation within 48 hours of booking, subject to availability.

What is the cancellation policy?

You can cancel for a full refund up to 24 hours before the start time. If it’s canceled because a minimum traveler count isn’t met, you’ll be offered a different date/experience or a full refund.

Is the activity easy to reach with public transportation?

It’s near public transportation, and the workshop starts and ends at the same meeting point, so local getting-there is usually manageable.